the history of hammer films

Hammer Films, in full Hammer Film Productions Limited, also called Hammer Studios, British production company known for its low-budget, gothic horror feature films.. Be the first to hear about Hammer news and events... Let Me In – Original Motion Picture Soundtrack. Apart from belting out notable horror entries, Hammer reacquainted audiences with vivid color in film, especially one that aims to jarr and shock against a Gothic backdrop. The financial climate forced Hammer to seek novel ways to spice up its output. With a growing demand for British-produced supporting movies after the Second World War, Hammer was re-formed and began to dabble in crime capers, and boy’s own adventure stories. Legend of the Seven Golden Vampires (1974). The company’s comedy output included Up The Creek (1958) starring Peter Sellers, and the Dr Jekyll inspiredThe Ugly Duckling (1959). The Quiet Ones starring Jared Harris (Sherlock Holmes: A Game of Shadows), Sam Claflin (The Hunger Games: Catching Fire), and Olivia Cooke (Bates Motel) was released in April 2014. The film was hailed as a “genre-busting triumph” by acclaimed horror author Stephen King, and was praised for being artful in its execution and genuinely eerie in tone. So I'm really interested in buying "The Hammer Story" book but just wanted to know how much info it actually has regarding the films. Hammer also ventured into comedy-horror parodies such as that of The Satanic Rites of Dracula, which attracted much criticism from audiences and critics alike. House of Horror traces the complete history of Hammer, from its early origins through to its golden era of classic horror movies, and presents a comprehensive overview of Hammer's importance and influences in world cinema. Find many great new & used options and get the best deals for The Hammer Story: The Authorised History of Hammer Films by Alan Barnes, Marcus Hearn (Hardback, 2007) at … This is "History Of Hammer Films" by Lucas Roche on Vimeo, the home for high quality videos and the people who love them. Hammer Productions belted genre-changing horror films, like Dracula, The Curse of Frankenstein, & Let Me In. Hammer Film Productions was founded in 1934 by William Hinds and his partners. Andrew rated it it was amazing Dec 22, 2017. Click the button below to start this article in quick view. 'Hammer Films' tells the story of a mansion that was converted into a studio, a close film-making community and some of the best-loved horror movies ever made. The appeal of Hammer Horror lied mostly in its overtly violent and sexual content, however, this trademark specialty started dimming in comparison to Hollowood blockbusters like Rosemary’s Baby and Night of the Living Dead. The author has interviewed many of the actors and other employees most of whom recollect their times at Hammer with amusement and affection. While Hammer has been producing horror films to this day, the production can be best understood by focusing on its golden age, which ran from 1955 to 1976. Honing its craft the company largely focused on crime thrillers and films noir such as Man Bait, Bad Blonde, and Terror Street. The end of the decade saw a series of war films, and some ‐ notably The Camp on Blood Island ‐ received considerable critical acclaim. Founded in 1934, the company is best known for a series of Gothic horror films made from the mid-1950s until the 1970s. Now, for the first time, Hammer have given their active backing to an authorised history of the company, and have provided unlimited access to their archives. The now-legendary British company went on to make such classics as The Curse of Frankenstein and Dracula (and their many sequels), making international stars out of Peter Cushing and Christopher Lee, changing the face of horror cinema, and inspiring a generation of Hollywood filmmakers. The company has had a lasting impact on popular culture, paid homage to in all manner of releases from Frankenweenie to Jurassic Park and The Shawshank Redemption. Over the years of production, they made comedies, dramas and television series but the studio’s most famous mark on film-making and Hollywood has been the “Hammer Horror” films. The monster movie was back, and Hammer jumped at the opportunity to reinvent other characters including The Abominable Snowman (1957), and The Mummy (1959). Hammer films remains one of the most successful and legendary of all British film companies. PLOT - Returning to his family's manor house on the lonely moors after his father dies under mysterious circumstances, Sir Henry Baskerville is confronted with the mystery of the supernatural hound that supposedly takes revenge upon the Baskerville family. Hammer Film Productions was founded in 1934 by William Hinds and his partners. It focussed on the female vampire in films such as Countess Dracula, and struck a two picture co-production deal with Shaw Brothers ‐ producing the Karate/Horror crossover The Legend of the Seven Golden Vampires and action-thriller Shatter. While their plans were somewhat foiled by the chaos that ensued during World War II, the company resurfaced in 1947 as Hammer Film Productions. Hammer’s production of The Snorkel (1958), the story of a teenager who suspects that her stepfather is a murderer, marked the beginning of the company’s adult horror films. The author has interviewed many of the actors and other employees most of whom recollect their times at Hammer with amusement and affection. When Dinosaurs Ruled The Earth (1970)Argo. The year 1979 saw the unfortunate Hammer remake of Alfred Hitchcock’s The Lady Vanishes, with the company’s last blockbuster success being 1959’s The Mummy. Alan Barnes and Marcus Hearn's THE HAMMER STORY is an exhaustive historical study of the horror films produced by Britain's Hammer Studios from the 1950s to the 1970s. Shorter works and television productions are listed separately. Frankenstein Created Woman (1967)One of Martin Scorsese’s favourite films. A poster from When Dinosaurs Ruled The Earth appears in the movie in John Goodman, and Alan Arkin’s office during the pivotal scene.Jurassic Park. There have been numerous references over the years. Hammer Films The Bray Studio Years, Wayne Kinsey, 2002, Performing Arts, 368 pages. Hammer Film Productions is a British production company based in London, known best for churning out low-budget Gothic horror movies from the mid-1950s to the 1970s. Hammer is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels. A clip from Dracula, 1958 features on a TV screen. Hammer marked its prominent return in 2010, with the release of the critically-acclaimed Let Me In, Matt Reeve’s adaptation of the Swedish låt den rätte komma in. And though the history of Hammer, and of the British horror movie in general, is worthy of deep exploration, so many books have done a far better job than McKay's lightweight effort; for a comprehensive history of Hammer, try Marcus Hearn and Alan Barnes' The Hammer Story, or for a great look at the entire genre of British horror films, Jonathan Rigby's English Gothic is still hard to beat. The history of British horror movies is very much tied to the story of Hammer Films. NEXT: The Toxic Avenger Explained: A History Of Troma Movies. While their plans were somewhat foiled by the chaos that ensued during World War II, the company resurfaced in 1947 as Hammer Film Productions. How a small studio brought new blood to the British horror film. During their initial years, Hammer produced horror mysteries of the likes of The Mystery of the Mary Celeste, starring Bela Lugosi, which deals with the presence of a deadly killer aboard a ship. Even […] Over the years of production, they made comedies, dramas and television series but the studio’s most famous mark on film-making and Hollywood has been the “Hammer Horror” films. However, only 1/3rd of Hammer films were horror! Hammer’s success with the horror genre saw it develop sequels to its existing titles and seek out further literary characters to adapt into new full colour features. First in Hammer's Cave Girl film series: Dracula: Prince of Darkness: 1966 Third in Hammer's Dracula film series: The Plague of the Zombies: 1966 Rasputin the Mad Monk: 1966 The Reptile: 1966 The Witches: 1966 The Devil's Own: A Challenge for Robin Hood: 1967 Frankenstein Created Woman: 1967 Fourth in Hammer's Frankenstein film series: The Mummy's Shroud: 1967 Then came the unprecedented success of The Curse of Frankenstein, loosely based on the 1818 novel, Frankenstein: or, The Modern Prometheus by Mary Shelley. Hammer Films trademark combination of gore and decolletage had in dozens of "Frankenstein", "Dracula" and vampire movies that would continue to be a staple of late-night television for years to come. All the latest gaming news, game reviews and trailers. In the revived series, 2005’s ‘The Christmas Invasion’ references the British Rocket Group, in 2009’s ‘Planet of The Dead’ Lee Evans uses a unit of measurement called a ‘Bernard’ which he later explains is in reference to Quatermass. What’s more, many of their players have been amongst the biggest names in genre film, including Peter Cushing, Joan Collins, Joanna Lumley, and Christopher Lee, among others. The now-legendary British company went on to make such classics as Dracula (and its many sequels), making international stars out of Peter Cushing and Christopher Lee, changing the face of horror cinema, and inspiring a generation of Hollywood filmmakers, including George Lucas, Martin Scorsese and Tim Burton. References Hammer’s ‘When Dinosaurs Ruled The Earth’ on a banner when the T-Rex storms the visitor centre. Audiences flocked to witness the ensuing chaos and gruesome special effects. Despite their success here, Hammer continued to experiment with other genres. In 2011, Hammer released Antti Jokinen’s The Resident starring two-time Academy Award® winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby), Jeffrey Dean Morgan and Hammer legend Sir Christopher Lee, as well as the critically lauded Wake Wood directed by David Keating and starring Aidan Gillen, Eva Birthistle and Timothy Spall. Founded in 1934, the company is best known for a series of Gothic "Hammer Horror" films made from the mid-1950s until the 1970s. In 1934, theatre owner Enrique Carreras and William Hinds decided to come together to form a film distribution company named Exclusive films. With these two films alone Hammer had cemented the company name in the lexicon of audiences, film critics and censors alike. Now, for the first time, Hammer has given its active backing to an authorized history of the company, and has provided unlimited access to its archives. Robert Simpson rated it it was ok Jul 03, 2011. The company tackled other genres, including psychological thrillers, sci-fi, noir and historical epic. Fifty years ago, Britains Hammer Films changed the face of horror cinema with such films as "Dracula" and its many sequels, and made actors Peter Cushing and Christopher Lee international stars. For each film, the book offers a story synopsis, production history, and a discussion of critical and popular reaction. The Nanny starring Academy Award winner Bette Davis, Scream of Fear starring Susan Strasberg, and Paranoiac starring Oliver Reed. The Matrix Reloaded features a reference to Brides of Dracula. The history of Hammer Films is a rich and interesting one, as it birthed a host of intricate character portraits that inspire filmmakers to this day. The company tackled other genres, including psychological thrillers, sci-fi, noir and historical epic. Hammer has a back catalogue of nearly 300 titles, and a rich character canon including classic monsters, mobsters, psychopaths, and surprisingly ‐ cavegirls. A concise, affectionate potted history of the rise and fall of Hammer Films, Sinclair McKay's A Thing of Unspeakable Horror is a breezy enough read for those seeking an introduction to the famous company and the movies they produced; however, it will certainly prove frustrating for those who would already class themselves as seasoned Hammer fans. Hammer swerved deep into the genre of adult horror with The Snorkel, which chronicled the story of a teenager who comes to the realization that her stepfather is a cold-blooded murderer. Over the years of production, they made comedies, dramas and television series but the studio’s most famous mark on film-making and Hollywood has been the “Hammer Horror” films. Refine See titles to watch instantly, titles you haven't rated, etc 172 titles 1. In 1955 one film, The Quatermass Xperiment changed the course of Hammer’s film output almost overnight. Its follow up Hammer House of Mystery and Suspense contained thirteen mini-thrillers. The Quatermass Xperiment (1955)Quatermass and Dr Who. I … The decade also saw production of the company’s first television series, Journey to the Unknown, an anthology series airing on ABC Television. While never producing the big-budget horror films that audiences have come to expect today, Hammer Films has always been one of the leaders of the horror genre. Hammer is synonymous with horror, as the company evolved into a definite genre in its own right in Britain, with the aid of horror movies like Dracula, The Curse of Frankenstein, and The Mummy, which have ushered numerous sequels since. A history of Hammer Films, including an overview of the 21st century revival under the Dutch producer John De Mol, originally published in The Wiley-Blackwell Encyclopedia of the Gothic (2012) edited by W. Hughes, D. Punter & A. Smith. Prehistoric Women (1967)The Sci-fi cartoon, Futurama, show’s episode Amazon Women in the Mood is thought to be a parody of Prehistoric Women. In terms of recent entries, The Lodge saw its world premiere in 2019 and has been praised due to its visceral quality of atmospheric horror. ‘If I single this one out it’s because here they actually isolate the soul… The implied metaphysics are close to something sublime.”A Hammer fan, Quentin Tarantino, has stated that his favourite British director is Terence Fisher. Included are all the Gothic/Horror Films, Sci-Fi, Adventure/Fantasy and some others. The Hammer Story provides a film-by-film dissection, dripping with rare promotional material and previously unpublished photographs. One Million Years BC (1966)The Shawshank Redemption. The Legend of Hammer Films Mummies PCASUK by Peter Cushing Appreciation Society. IMDb, the world's most popular and authoritative source for movie, TV and celebrity content. Apart from being a published author, Debopriyaa has been writing professionally since 2014, and holds a Master's degree in English Literature and Theory from the University of Delhi. Brief History of Hammer Films Founded November 1934, Hammer Films released several minor features before the advent of World War Two ceased production. I nailed it down (for personal reasons) to 91 films. Hammer Films: A History of Hammer Horror In 1934, theatre owner Enrique Carreras and William Hinds decided to come together to form a film distribution company named Exclusive films. Fifty years ago, Hammer Films released The Curse of Frankenstein. About The Hammer Story: The Authorised History of Hammer Films Fifty years ago, Hammer Films released The Curse of Frankenstein. It would be quite possible to tackle Hammer films by beginning at the beginning with The Quatermass Xperiment (1955) and their classic gothic trilogy – The Curse of Frankenstein (1957), Dracula (1958) and The Mummy (1959) – then working forward chronologically. Hammer horror films are legendary for doing a lot with a little, while almost magically repurposing constraint to fuel creativity. Be they vampires, victims or Victor Frankenstein’s most ambitious creation — Hammer’s actresses were unlike any other women in the history of genre film. A Thing of Unspeakable Horror: The History of Hammer Films: McKay, Sinclair: Amazon.sg: Books In 1954 Hammer returned to adventure stories with its first colour feature film ‐ The Men of Sherwood Forest. February 2012 saw the theatrical release of Hammer’s first ever feature ghost story The Woman In Black, directed by James Watkins, adapted by Jane Goldman from the book by Susan Hill, and starring Daniel Radcliffe. Enrique Carreras and William Hinds founded Hammer Films in 1932, but it was their respective sons, James and Anthony, who would make its name with the production of Nigel Kneale's BBC series, The Quatermass Xperiment (d. Val Guest, 1955). Over time, Hammer films acquired a distinctive brand of blood, gore, and campiness. Dracula (1958)Frankenweenie. Hammer marked its return to features in 2010 with the release of the critically acclaimed Let Me In, an adaptation of the highly praised Swedish film låt den rätte komma in. Plus, I'm only r Following the success of The Quatermass Xperiment, Hammer switched focus from the struggling crime thriller pictures of the early fifties to horror. However by the middle of the decade the game was up. Some of the most critically praised being its string of psychological thrillers. During its most successful years, Hammer dominated the horror film market, enjoying worldwide distribution and considerable financial success. Founded in November 1934, Hammer is one of the oldest film companies in the world. Returning to movie-making in 1947, Hammer’s output consisted largely of modest B-grade pictures (crime thrillers and comedies, often adapted from successful stage or radio plays) but it was yet to find international success. The Woman in Black starred Daniel Radcliffe as a young, recently-widowed lawyer in 20th century England who discovers the vengeful ghost of a woman in a remote village he travels to. The much anticipated Woman in Black: Angel of Death – Hammer’s first sequel in 41 years – began terrifying audiences in January 2015. These are the known, theatrically released, feature-length films produced or co-produced by Hammer Productions. Hammer Films trademark combination of gore and decolletage had in dozens of "Frankenstein", "Dracula" and vampire movies that would continue to be a staple of late-night television for years to come. The go-to source for comic book and superhero movie fans. Fifty years ago, Hammer Films released The Curse of Frankenstein. In 1934 theatre owner Enrique Carreras and jewelry store owner William Hinds—who also performed in variety shows under the stage name of Will Hammer—joined forces to form the film distribution company Exclusive Films, Ltd. Then, 2011 saw Antti Jokinen’s The Resident, starring Hillary Swank and Christopher Lee, which was received well by critics. RELATED: The Woman In Black Ending & What Jennet Really Wants Explained. X the Unknown (1956)Listed by Stephen King in his book Danse Macabre as one of his favourite films. Following the outbreak of World War II, and with its executives seeing active service, production ground to a halt. However, Hammer reached its peak with the release of Terence Fisher’s 1958 gothic horror, Dracula, wherein Christopher Lee starred in the titular role. Fifty years ago, Hammer Films released their very first horror movie, The Quatermass Xperiment. En los años '40 los negocios fueron mal y la Hammer dejó de producir durante la Guerra. see review. Hammer Film Productions is a film production company based in the United Kingdom. Hammer is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels. Acclaimed Hammer. Iconic image of Raquel Welch used as the poster in Andy’s room that hides his escape route. About Hammer Hammer is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels. The film has taken over $130m worldwide making it one of the biggest indie horror films ever. In the pre-war period Hammer’s output ranged from comedy The Public Life of Henry the Ninth, and slave drama The Song of Freedom starring Paul Robeson to the ambitious Bela Lugosi feature The Mystery of the Marie Celeste. Gothic horror was out of fashion, and Hammer couldn’t find backers for production. Valerie Leon. They featured a cast as diverse as Peter Cushing, Brian Cox, David Carradine, Stephanie Beacham, Diana Dors and even Pierce Brosnan. Following the outbreak of World War II, and with its executives seeing active service, … The success of Dracula spurred an entire genre of vampire movies, including sequels such as The Brides of Dracula and Dracula Has Risen from the Grave. The most films that Hammer released in any year was nine in both 1954 and 1959 while it released only one film in 1947, 1976, 1979, 2008, 2011 and 2012. Debopriyaa Dutta is a content curator, poet, and film critic based in India and a frequent contributor for High On Films. While Hammer Productions also dabbled in historical epics, sci-fi noirs, and psychological thrillers, the company is best known for creating a legacy in horror, especially with the critical success of The Woman in Black and Let Me In. Having commenced with David Pirie's 1973 book, A Heritage of Horror, Hammer Horror garnered critical acclaim and cult status, while evolving into a subversive strain running through British cinema as a whole. Fans immediately were drawn to regulars Christopher Lee - unforgettable as hypnotic Dracula - and Peter Cushing as an intense, passionate Dr. Frankenstein. [The Devil Rides Out, The Witches, She, The Vengeance of She, The Old Dark House]. A commercial and critical hit, the film posed the question what might happen if an alien virus really was brought back to Earth? Feature films. But this time Hammer shouldn’t start out remaking shit like The Babadook (it’s only a matter of time) and start rebooting their classics. In the pre-war period Hammer’s output ranged from comedy The Public Life of Henry the Ninth, and slave drama The Song of Freedom starring Paul Robeson to the ambitious Bela Lugosi feature The Mystery of the Marie Celeste. Oct 14, 2014 - Hammer Films was the most successful independent film company ever, producing comedy, drama, mysteries, and war movies before finding their niche in horror. [Dr Jekyll and Mr Hyde, The Phantom of the Opera]. Nic de Lisle rated it did not like it Jan 02, 2018. The film was written and directed by Matt Reeves (Cloverfield) and stars Chloe Moretz (Kick-Ass) and Kodi Smit-McPhee (The Road). Over time, Hammer Films production came to be characterized by low-budget thrills, an abundance of … Although the film garnered negative to mixed reviews, the ghoulishness of Frankenstein’s monster delighted audiences and later influences stalwart directors like Tim Burton and Martin Scorsese. After belting this high-stakes horror film, Hammer went on to produce The Quiet Ones and Woman in Black: Angel of Death, the sequel to James Watkins' widely popular entry. The Curse of Frankenstein (1957)Tales of Frankenstein. RELATED: Every Time Frankenstein's Monster's Skin Color Changed In Movies (& Why). As Hammer Films recently signed a worldwide distribution deal with StudioCanal, the influential production house might have a few more compelling horror entries waiting for audiences in the near future. The company made history with its first full colour creature feature The Curse of Frankenstein. More information From Vampires to Cave Girls: The History of Hammer Films Their name is synonymous with gothic horror throughout the world. However, only 1/3rd of Hammer films were horror! Blood, gore, extravagant costumes and sets were presented in vibrant colour, enraging censors, but delighting audiences in equal measure. Hammer Film: Taste The Blood Of Dracula (1970) The following year, Linda bared all in the non-Hammer horror flick Blood on Satan’s Claw (1971), then continued the trend of disrobing in a series of raunchy British comedies: Confessions of a Window Cleaner (1974) and the subtly titled Let’s Get Laid (1978).. 4. Quatermass and the Pit (1967)Alan Moore (Comic Book Author)In ‘Black Dossier’, the third League of Extraordinary Gentlemen book, Quatermass appears in a short segment in which he takes his niece and nephew to visit an interplanetary zoo. Although no longer a force in horror cinema, Hammer discovered another outlet for horror product – television. Here's Hammer Films' history, explained. The Brides of Dracula (1960)The Wachowski’s. In 1951 Hammer began to co-produce its films with the US producer Robert Lippert, enabling the company to develop its North American market, and cast US stars. It was business as usual for Hammer as the 1950s opened, with Hammer producing a steady supply of support drama and documentaries intended to play alongside feature films in cinemas. The company also focussed on straight literary adaptations from novels by the likes of Denis Wheatley, H. Rider Haggard and J.B. Priestley. The staggering success of The Curse of Frankenstein was followed by the even greater box office haul of Horror of Dracula just one year later. The British independent film company Hammer Productions was founded in 1934, and flourished in the mid-1950s through the 70s with "Gothic Horror" films often based on classic literature characters and imaginative story fragments. The release of 2012’s The Woman in Black, which is presumed to be one of the biggest indie horror movies to date, earned a total of $130 million worldwide. Top 10 Hammer Horror FilmsSubscribe: http://bit.ly/2tVCcUHThey really don’t make them like this anymore. However, only 1/3rd of Hammer films were horror! Veronica Carlson “Cheesecake” photos from the age of what has since been called “Hammer Glamour” (coined perhaps by Marcus Hearn in his book of the same name**) abound. To the Devil A Daughter, was the company’s last horror film of the 20th century. It is the first film adaptation of the novel to be filmed in colour and one of the most critically acclaimed films in Hammer Film Productions’ history. Hammer House of Mystery and Suspense (1984). Recent output includes the worldwide box office smash The Woman in Black, critically acclaimed Let Me In, and 2014 paranormal thriller The Quiet Ones. Here’s the history of Hammer Horror, along with how it shaped several key cinematic genres, explained. The company tried for years to get an adaptation of his novel I Am Legend to the screen. The British Hammer Film Studios, mostly known for Gothic Horror Flicks, made a lot of interesting films from the 50s to the 70s. Here he is identified as Uncle Bernard. As well as horror Hammer continued to produce a wide variety of other genres, including comedy and drama. Many of these involved classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. In the cinema scene in Lolita when both Lolita and her mother take James Mason’s hand they are watching The Curse of Frankenstein. When two titles are shown for a single film, the first title is that as released in the U.K., the second in the U.S. By 1970 the British film industry was beginning to suffer financially as the arrival of colour television contributed to a sharp decline in box office revenues. Durante los años 1930 la "primitiva" Hammer produjo algunas comedias y un filme de suspense titulado The mistery of the Mary Celeste, con Béla Lugosi. With a handful of tools – iconic actors, small budgets, simple sets, beautiful heroines, and charismatic heroes – Hammer consistently nailed it, delivering one memorable horror film after another. The Curse of Frankenstein was so successful that CBS commissioned a pilot from Hammer for an anthology TV series titled The Tales of Frankenstein.Lolita. Hammer also produced science fiction, thrillers, film noir and comedies – and in later years, television series. Hammer Story: The Authorised History of Hammer Films: Amazon.es: Barnes, Alan, Hearn, Marcus: Libros en idiomas extranjeros He also owns one of the only surviving Frankenstein Created Woman 16mm prints. Hammer Films needs to have yet another resurgence. Donald Pleasance vs. Malcolm McDowell. A one-stop shop for all things video games. Hammer Film Productions was founded in 1934 by William Hinds and his partners. An ardent fan of cosmic horror and poetic cinema, she enjoys painting, along with reading literary works steeped in morbid nihilism. Hammer House of Horror, contained tales of genuine horror laced with a twinkle of dark humour. Dracula became a pop culture phenomenon in its own right, cementing the image of Bram Stroker’s fanged anti-hero, replete with the trademark use of fangs, colored contacts, and wooden stakes. Hammer Film: Blood of the Mummy’s Tomb (1971) There were celebrations all round in 1971 when When Dinosaurs Ruled The Earth was nominated for an Academy Award for Jim Danforth’s stop motion work on the film. By the mid-1950s, Hammer was able to concoct a compelling combination of horror, fantasy, and sci-fi, which led to the production of films like Val Guest’s The Quartermass Experiment. The Devil Rides Out (1968)American Author Richard Matheson scripted both The Devil Rides Out and Captain Clegg for Hammer. 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